https://repositorio.uca.edu.ar/handle/123456789/17557 Thu, 12 Mar 2026 13:17:49 GMT 2026-03-12T13:17:49Z https://repositorio.uca.edu.ar/handle/123456789/17564 Título: Cuadernos de análisis y debate sobre músicas latinoamericanas contemporáneas, 2023, No. 6 (número completo) Sun, 01 Jan 2023 00:00:00 GMT https://repositorio.uca.edu.ar/handle/123456789/17564 2023-01-01T00:00:00Z https://repositorio.uca.edu.ar/handle/123456789/17563 Título: Voces más allá de las palabras: aproximaciones al uso de la voz en dos obras acusmáticas de Ricardo de Armas; Voices beyond the words: approaches to the use of the voice in two acousmatic pieces by Ricardo de Armas Autor: Molinari, Leticia Resumen: Resumen: La posibilidad de evocación que tiene la música o la voz sin el recurso de las palabras es un tema presente en las instancias de creación, interpretación y audición que interesa a teóricos como Abbate, Neubauer, Wishart y Smalley entre otros y a compositores de diferentes géneros. Corporalidad, formas de enunciación y expresividad vocal forman parte de un terreno propicio para ahondar en la ambigüedad y mutabilidad de la música, abstracciones que despiertan el imaginario del oyente y dan lugar al cruce de otras voces ya presentes en la composición. En Martirena 100dB (arte radiofónico) y De simulacros y exageraciones (música experimental) del compositor argentino Ricardo de Armas, encontramos elementos que nos permiten profundizar en la presencia de esas voces en el marco de la música acusmática.; Abstract: The possibility of evocation that music or the voice have without the use of words appears in the instances of creation, interpretation and listening which interests theorists such as Abbate, Neubauer, Wishart and Smalley among others and composers of different genres. Corporality, forms of enunciation and vocal expressiveness are part of a favorable terrain to delve into the ambiguity and mutability of music, abstractions that awaken the listener's imagination and give rise to the crossing of other voices already present in the composition. In Martirena 100dB (radio art) and in De simulacros y exageraciones (experimental music) by the Argentine composer Ricardo de Armas, we find elements that allow us to deepen the presence of these voices within the framework of acousmatic music. Sun, 01 Jan 2023 00:00:00 GMT https://repositorio.uca.edu.ar/handle/123456789/17563 2023-01-01T00:00:00Z https://repositorio.uca.edu.ar/handle/123456789/17562 Título: Orientalismo e humanismo em Tanka II de H. J. Koellreutter; Orientalism and humanism in Tanka II from H. J. Koellreutter; Orientalismo y humanismo en Tanka II de H. J. Koellreutter Autor: Paoliello, Guilherme Resumen: Resumo: A partir de alguns aspectos formais da obra Tanka II de H. J. Koellreutter e de sua correspondência com Satoshi Tanaka durante a década de 1970, na qual se destaca uma posição utópica em relação às possibilidades de um mundo culturalmente integrado, o artigo estabelece considerações a respeito dos limites e alcances dessa utopia tendo em vista os desdobramentos do processo de globalização, posterior à escrita das cartas e à composição da peça. Para isso aborda o conceito de orientalismo, de Edward Said, potencialmente crítico em relação ao posicionamento utópico de Koellreutter, mas considerando, por outro lado, o conceito de humanismo, também segundo Said, que recupera a contemporaneidade de algumas ideias levantadas pelo compositor, como possibilidade de crítica às formas atuais de interação cultural condicionadas pelo capitalismo global.; Abstract: Based on some formal aspects in the work Tanka II by H. J. Koellreutter and his correspondence with Satoshi Tanaka during the 1970s, in which a utopian position is highlighted in relation to the possibilities of a culturally integrated world, the article establishes considerations about of the limits and scope of this utopia in view of the unfolding of the globalization process, subsequent to the writing of the letters and the composition of the play. To do so, it addresses the concept of orientalism, by Edward Said, potentially critical of Koellreutter's utopian position, but considering, on the other hand, the concept of humanism, also according to Said, which recovers the contemporaneity of some ideas raised by the composer, such as possibility of critique of current forms of cultural interaction conditioned by global capitalism. Sun, 01 Jan 2023 00:00:00 GMT https://repositorio.uca.edu.ar/handle/123456789/17562 2023-01-01T00:00:00Z https://repositorio.uca.edu.ar/handle/123456789/17561 Título: Francisco Curt Lange como musicólogo en América del Sur y sus intercambios con Internationales Musikinstitut Darmstadt entre 1950 y 1971; Francisco Curt Lange as musicologist in South America and his interactions with the Internationales Musikinstitut Darmstadt between 1950 y 1971 Autor: Caitano, Joevan de Mattos Resumen: Resumen: A través de diversas iniciativas, Francisco Curt Lange (1903-1997) se convirtió en un impulsor del desarrollo de la musicología sudamericana en el siglo XX. A lo largo de su carrera profesional viajó a varios países y escribió a muchas organizaciones y personas de todo el mundo. En una época en la que no existía Internet, la red de contactos de Lange era extensa y rica. Sin embargo, su relación con el Internationale Ferienkursen für Neue Musik de Darmstadt sigue sin tenerse en cuenta en los escritos sobre el legado de Lange. La participación de Hans-Joachim Koellreutter en los Darmstädter Ferienkurse de 1949 hizo posible que Curt Lange y Wolfgang Steinecke se comunicaran entre sí en Brasil, Argentina y Uruguay. Curt Lange estableció vínculos con el Internationales Musikinstitut de Darmstadt entre 1950 y 1971. Durante este periodo, Lange ofreció información sobre música latinoamericana y le propuso dar conferencias en las clases de Darmstadt. El autor de este ensayo pretende ofrecer un resumen de este vínculo histórico entre Lange y Darmstadt basándose en la información recogida en el Archivo del IMD.; Abstract: Through a variety of endeavors, Francisco Curt Lange (1903–1997) grew to be a proponent in the development of South American musicology in the 20th century. He traveled to several different nations during his professional career and wrote to many organizations and persons worldwide. At a time when there was no Internet, Lange's network was extensive and rich. However, his involvement with the Internationale Ferienkursen für Neue Musik in Darmstadt continues to be disregarded in writings about Lange's legacy. Hans-Joachim Koellreutter's participation in the 1949 Darmstädter Ferienkurse made it feasible for Curt Lange and Wolfgang Steinecke to communicate with each other in Brazil, Argentina, and Uruguay. Curt Lange built ties with Internationales Musikinstitut Darmstadt between 1950 and 1971. During this period, Lange offered information on Latin American music and suggested that he lecture in the Darmstadt classes. This essay's author aims to describe the historical ties between Lange and Darmstadt based on information gathered in the IMD Archive. Sun, 01 Jan 2023 00:00:00 GMT https://repositorio.uca.edu.ar/handle/123456789/17561 2023-01-01T00:00:00Z